Digital Platforms In Performance
I am trying out another module of a MOOC from EdX and Cambridge. I did the Finding a Voice complete but gave up on the one about space. I did not find enough about walks or outside. This one also seemed off topic when I started. I am interested in how some form of content marketing can work for theatre or other forms of drama. With music there can be a single to promote a collection of tracks or a performance. There can be edits or clips for radio. How to do versions or clips of a live play? This is not part of the course so far. But I will carry on and find out more about games and virtual reality. How to transfer a story? I am thinking about " Eight Gates to MetaSpace " , really a sort of travel writing starting from home. "MetaVerse" seems too linked to particular companies.
Anyway back to this week and #ExeFringe. Creative Commons is another way of looking at clips / remix. I use the Stories of JGBallard from the Internet Archive. I do not know if this sort of thing is still happening.
During next week there will be artist development so I am trying to discover what ideas are around. At MakeTank there will be some sort of performance on Friday, at least some public access. Most of the performances are for cultural leaders in the South West. So far I have not fund any info on open performances at the Hall or Central Library. But each venue has a different aspect. MakeTank is linked to the Business School. The Hall is set up for streaming. If this happens then the content is public anyway. The Library has a resource for law on intellectual property. So some time this could be explored a bit more.
My own writing such as #CDWalk can continue as Creative Commons but I might need more restriction if I did a lot of work on it or DownStage Write got involved. They did once have an offer to rewrite anything for £1.
More later.